By Ihor Sevcenko, Irmgard Hutter
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Additional info for AETOS Studies in honour of Cyril Mango presented to him on April 14, 1998
What grounds have we for assuming that Mavortius was eccentric in this particular, and always wrote his name in full? c. , and anything else he could think of, when writing a formal subscriptio to his edition of Horace; and the very fact that he did not do the same here is clear proof that he was not making any formal subscriptio, merely writing the name in his own book like anybody else. Everything about the signature points to informality. 12 M. P. J. Van den Hout, M. Cornelius Pronto Epistulae, Leipzig 1988, xxvi-xxvii, 52.
Travlos, Πολεοδομική έξέλιξις των Άΰηνών, Athens 1960, 144, 145, fig. 92 (Justinian wall, now demolished). For Isthmia and the Hexamilion Wall, see R. J. H. Jenkins and A. H. S. Megaw, Researches at Isthmia, ABSA 32 (1931-1932) 68-76; O. Broneer, Excavations at Isthmia, Hesperia 27 (1958) 20-22, pi. 8c, d; D. I. Pallas, To 'Εξαμίλιον τείχος έπϊ του ΊσΟμοΰ, ΑΔ 17 (1961-1962) Β, 78-83, pis. 92-93. 61 Η. Dodge, Brick construction in Roman Greece and Asia Minor. Roman architecture in the Greek world, London 1987, 108.
Agnello, Le arti figurative nella Sicilia bizantina, Palermo 1962, 296-300. 43 Treasury of San Marco (as in n. 7) nos. 8, 11, 24, 25; see Hahnloser, // Tesoro (as in n. 7), respectively, nos. 116,42, 67, 63. See also the silver-gilt votive icon of St. Symeon Stylite the Younger with its donor, Bishop Antoni Cagereli, dated 1015, in Tbilisi, The Georgian State Art Museum: Glory of Byzantium (as in n. 4), 345-346, no. 233; W. Seibt and T. Sanikidze, Schatzkammer Georgien, exh. , Vienna 1981, 116-117, no.
AETOS Studies in honour of Cyril Mango presented to him on April 14, 1998 by Ihor Sevcenko, Irmgard Hutter